Article by Mies Šmes
Not much is left from Claude Monet’s first wife, Camille Doncieux: just one photograph, official French documents and the paintings that have immortalized her. After her premature death at only 32 years old (it is unknown whether the reason was a malpracticed abortion or cervix cancer), the painter destroyed her family photographs and all the correspondence she had ever written or received. The surviving photograph had been taken in Amsterdam in 1871, and it was saved only because Monet did not know about its existence. Nothing else was left from the woman he had married in spite of his family’s disapproval; the woman that had given him two sons. According to the art historian Daniel Wildenstein, his second wife, Alice Hoschedé, consumed by jealousy, was the one to blame for the damnatio memoriae (condemnation of memory) that was imposed on Camille.