Critique My Artworks

Get feedback on your artwork

Do you have drawings you want a professional opinion on?

As a Drawing Academy student, you can submit your artworks for critique. The Academy tutors will give you comprehensive feedback on your work of art and advise on how to improve your skills

Submit Your Artwork for Critique here »

Apollo portrait critique

portrait critique

Artworks from Michael, Drawing Academy student

Dear Drawing Academy,

I have just completed a drawing of Apollo. Here are several pictures of the steps I took. I am looking forward to your critique.

Sincerely,
Michael

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Feedback on still life drawing

Feedback on still life drawing

Artwork and questions from Klent, Drawing Academy student

I recently have attempted rendering shades of this still life. Am I overworking my paper with how hard I’m pressing? I feel like I didn’t adequately keep my pencil sharp throughout the first half of the drawing so I’m getting a lot of smudging. Also I’m not quite sure how to work out the edges of each shape without intruding in on the shape or making the outline look shaky; which caused me to purposely outline each shape to differentiate the background and object.

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I want to improve my drawing techniques

I want to improve my drawing techniques

Artworks from Nicole, Drawing Academy student

Hello,

I recently enrolled in the Drawing Academy course because I wanted to improve my drawing techniques. I hope with this course I could develop a strong foundation for the fundamental skills needed to create the works of art I want. I hope that I can better express what I see in real life, from photos, and eventually from my imagination with this course.

Here is a portrait that I had done in the past. I think that I would need to express more depth and tone in my drawing.

Nicole

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Oriental Still Life

Oriental Still Life

Still life by Rebecca, Drawing Academy student

Hi,

My name is Rebecca. I am a complete beginner in drawing and had no professional training before taking the Drawing Academy course.

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Is it too late?

Is it too late?

Artwork and questions from Lois

Hello,

I’m Lois. I have been on the planet for nearly 66 years now, and for most of those years art was in the background as a fun thing to do, then something to learn about and pursue with intermittent enthusiasm but, mostly it remained in the background. Ballet was my first love and what I ended up “doing” as a career. Now I am a ballet teacher in Tucson, Az.

I have attended art classes privately and in several workshops and open studios and my father was a sculptor who encouraged in me a great interest in sculpture. I think because “once a dancer always a dancer” figurative work has always captured my attention the most.

I have made arrangements to spend a month this coming summer in NYC attending open classes at The Art Students League to ignite a desire in me again and I am trying to prepare for that experience by starting over, but I am having trouble with beginning yet again. Is it too late for me?

This is the last piece I attempted. It was discarded before it was finished. Obviously.

I feel I need help, and am hoping for guidance from the tutors at the Life Drawing Academy. How does the Correspondence Course work please?

Sincerely,
Lois

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Harmony, expression and emotion in portrait

Harmony, expression and emotion in portrait

Artwork from Ann, Drawing Academy student

Dear Natalie and Vladimir,

I have registered to the Drawing Academy to learn how to draw ‘properly’ in a classical way. This is my first artwork which I started just before joining. I understand that it has amateur flaws: I smudged a little bit on the cheeks before learning i shouldn’t do that, I didn’t ‘hatch’ in a conventional way, I’m very intuitive in rendering tonal values rather than knowledgeable, I copied from a picture which helped me make lots of progress in my drawing so far but I understand that drawing from life is a better training. I surely don’t want to become a skilled photocopy master, however I find realism attractive. I’m most interested in portraying expression and emotions in harmonious balance. I’m struggling to understand how I could learn to draw, for example animals, without picture reference as in real life they keep moving or are not around?

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What we can learn from Michelangelo

What we can learn from Michelangelo

Portrait by Betty, Drawing Academy student

Hi Vladimir,

I used Mars Lumograph HB and 2B graphite pencils on Canson 9×12 65 lb Universal Sketch Artist Series 1557 paper for this project. I used a reference photo that I took of “David” while visiting Florence’s Museum Academie.

Before I started this project, I studied your drawing of Thalia and other lessons on Drawing Academy to learn the different techniques, such as drawing the features, tonal values, cross hatching and of course how to draw a portrait. These are of immense help to me.

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