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Critique My Artworks

Get feedback on your artwork

Do you have drawings you want a professional opinion on?

As a Drawing Academy student, you can submit your artworks for critique. The Academy tutors will give you comprehensive feedback on your work of art and advise on how to improve your skills

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Harmony, expression and emotion in portrait

Artwork from Ann, Drawing Academy student

Dear Natalie and Vladimir,

I have registered to the Drawing Academy to learn how to draw ‘properly’ in a classical way. This is my first artwork which I started just before joining. I understand that it has amateur flaws: I smudged a little bit on the cheeks before learning i shouldn’t do that, I didn’t ‘hatch’ in a conventional way, I’m very intuitive in rendering tonal values rather than knowledgeable, I copied from a picture which helped me make lots of progress in my drawing so far but I understand that drawing from life is a better training. I surely don’t want to become a skilled photocopy master, however I find realism attractive. I’m most interested in portraying expression and emotions in harmonious balance. I’m struggling to understand how I could learn to draw, for example animals, without picture reference as in real life they keep moving or are not around?

What we can learn from Michelangelo

Portrait by Betty, Drawing Academy student

Hi Vladimir,

I used Mars Lumograph HB and 2B graphite pencils on Canson 9x12 65 lb Universal Sketch Artist Series 1557 paper for this project. I used a reference photo that I took of “David” while visiting Florence’s Museum Academie.

Before I started this project, I studied your drawing of Thalia and other lessons on Drawing Academy to learn the different techniques, such as drawing the features, tonal values, cross hatching and of course how to draw a portrait. These are of immense help to me.

Portrait Painting Critique

Artwork by Jasmin, Drawing Academy student

Dear Natalie and Vladimir,

Hope this finds you well! I've painted this portrait, but I am not happy with it. I was hoping you could share your opinion of it with me.

What should I have done differently to make it more visually interesting? I feel like the composition and technique have issues but I can't put my finger on what's wrong.

Thank you so much in advance! I appreciate you!

Kind regards,
Jasmin

How to draw great portraits

Portrait by Molly, Drawing Academy student

Hello,

Thank you for your time. I'm experiencing some problems with rendering my drawings. I feel like I've got a handle on the likeness etc. but the rendering is leaving me frustrated. I can't seem to get the hang of hatching and cross hatching. As you see in my picture it looks too rough and crude. When I blend it looks better to me. However, I know from your course that graphite should not be blended. How to fix this problem?

Thank you.

Artwork critique by Vladimir London, Drawing Academy tutor

Dear Molly,

Thank you very much for your wonderful drawing.

Before rendering an artwork...

An Exercise in Pencil Hatching and Drawing what I Know

Portrait by Emily, Drawing Academy student

I just enrolled in the Drawing Academy a few days ago, and I am already glad that I did. I have been drawing for most of my life, but I was quite amazed at the concepts and skills I have been learning here which are almost entirely new to me. I have read a little about the hatching and crosshatching techniques in years gone by, but I never actually employed them much in my own works.

New Skills for Old Habits

Story and drawing from Mary Townsend, a Drawing Academy art competition winner

I started this Drawing Course with Drawing Academy six weeks ago and was immediately knocked out of my comfort zone.

I wasn't expecting everything to be so new to me. From the way I hold my pencil to constructive drawing techniques - it's all new.

How to draw good portraits – Artwork critique

How to draw good portraits - Artwork critique

Portrait artwork for critique from Luciana, Drawing Academy student

Since I started the Drawing Academy, I can see some improvement in my drawing skills.

Here's the portrait in progress. I tried to follow the right proportions, but it still feels like something is not quite right, though I can't exactly tell what it is.
I would really appreciate your critique.

Life Drawing Academy
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Anatomy Master Class