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Manetti’s Dido and Aeneas explained

Article from Coco Depink

Rutilio Manetti was one of those busy and reliable provincial painters whose manner was derived from the innovations of more important artists in major artistic centers and who, in certain works, brought an injection of metropolitan excitement to the art of his hometown. He fulfilled a purely local demand for altarpieces, decorations, and history paintings in styles reflecting several of the fashions of the day, some reminiscent of Caravaggio, others of the Gentileschi, and so on. Manetti has benefited from the stimulating resurgence in Italy in the last twenty years of local interest in native talent, even thought he was not one of the innovators in the history of Italian painting not even one of those artists with a quirky and appealing poetry who sometimes emerges despite a provincial heritage.

If Siena, where Manetti was born in 1571 and where he spent most of his life, was a less significant city under the late Medici rule in the seventeenth century that it had been as an independent city-state in medieval times, it still was quite an important religious center and there was a lively demand for a good painter or two to serve the church, city and private patrons. Little is known of his early career. After completing the altar piece of the Death of the Blessed Anthony Patrizi ( Sant’ Agostino Monticiano) in 1616 a painting that betrays some knowledge of the advanced art of Artemisia Gentileschi who was active in Florence at that time, Manetti likely went to Rome…

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Jorge Padilla art

Jorge Padilla’s Art

From Jorge Padilla, Drawing Academy Graduate My drawing skills’ level before I took this course was none. I had no training at all. I had the desire to learn how to paint and draw for… 

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Drawing Academy video lesson

How to Learn from Drawing Academy video Lessons

Question from jhehn13

In the Drawing Academy video lessons am I supposed to pause the video at the beginning and attempt to draw what the lesson is about or (and this is my assumption) try to draw something similar, or does it matter?

I see the value in drawing from life to help achieve the goal of drawing from imagination.

About me.
I have been creative since I was young, off and on (mostly off) I would create art, drawing, painting, etc. Though I have never taken a class save a few in high school and now more than 20 years later I am now pursuing art education (rather than relying on my innate talents) in most of my free time to better myself because I love drawing and art! It brings me peace and pleasure, especially when I look at it and don’t think, something wrong I can’t quite put my finger on it. I am highly interested in drawing people as I have thought this was something I couldn’t do in the past, but now I am beginning to see that was a preconceived notion on my part.

So far I am really enjoying the lessons I look forward to the entire course…

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art competition

Drawing Academy Art Competition Launch

Online Art Competition Provides The Chance To Learn How To Draw Skillfully

A new Art Competition has been launched by the Drawing Academy, an online ‘How to Draw’ video course. This Competition has the purpose of discovering and awarding talented art students worldwide with free high-quality art education. London UK. A brand-new Art Competition offering as prizes high-quality fine art education has just been launched online.

The Drawing Academy awards competition winners with its full lifetime scholarship. The Drawing Academy tutors, Vladimir London and Natalie Richy give classical drawing skills that follow traditions of the Old Masters. Such skills are no longer taught at contemporary art colleges and schools. Vladimir and Natalie have the vision that fine art serves the purpose to portray the…

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The role of women in art – Henriette Ronner

Article from Chris Crombé

We all know, almost without thinking, famous male painters like, Rembrandt, Rubens, Van Dijck, Cézanne, Van Gogh etc. But if we have to cite a female one our memory fails. And still they were there. In one of my articles I will try to explain the raison of this phenomena. But I start as a trigger with one of an not very well known, but exceptional talented animal painter. Cats have been a favorite subject of artists for many decades, and many big names in the art world have produced impressive works. One of them is Henriette Ronner-Knip. HENRIËTTE RONNER-KNIP (1821 – 1909) Henriette Ronner, born KNIP, was born on the 21st of may 1821 in Amsterdam. Her father, grand-father , uncle and one of her aunts, where fine artists too. All four of them had…

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painting-by-litsa-Raftopoulou

The Innocence

From Litsa Raftopoulou

I love to draw and paint all day and all night.

I want to win to learn more and more new things and new techniques. I am trying to find my own personal way. I have been trying to teach myself from books and you-tube videos and now I would like to teach me your Art Academy. I love hours and hours studying all famous painters and I am studying the history of art.This course would be invaluable to me. This course will be moral victory for me. I live in Greece with my husband and I have two children.

Thank you for giving me this opportunity to take part in competition…

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A Celebration of Color

A Celebration of Color!

From Sophy Laughing

Shhhh… I have a secret. I have two impediments to becoming a great artist: One, I am technically colorblind; two, I am a new “rightie” ~ due to a slight accident, I am now teaching myself to switch from my left- to my right-hand.

Living in a color-sighted world, I quickly learned that roses are red and violets are blue, socks come in pairs and are easily matched and, most of the time, clothing is labeled. If I accidentally pair an article of clothing that is not traditionally paired together, color-wise, I am often credited with making a bold statement: to which I respond with a big smile.

It wasn’t until I was given an eye test that my colorblindness was discovered. “What number do you see in the circle?” the technician asked me. “Which circle?” I responded.

The entire circle was made up of colors and apparently there was a number inside it made up of differing colors so as to see a contrast. It is contrasts and hues that I do not “see”. As much as I would love to see what others view in an impressionist painting, for example, I’m sorry to say that most of the composition fades from my view. I do not perceive light colors, and often times confuse reds and blues and purples and grays, but I am of the opinion that I imagine them in my mind’s eye. ..

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Mona Lisa by Leonardo da Vinci

Be patient

Article by Luca Molnar

We as human beings often would like to have everything right away. We want to be successful, happy, we want to draw and paint like Michelangelo, be thinner or prettier and we want all of these things by tomorrow. If it doesn’t happen quickly enough (and it doesn’t), we loose faith and move on to our next goal. However things take time in this universe of ours…

Greatness is not given easily or quickly. Salvador Dali or Hieronymus Bosch didn’t become the artist we know them to be today overnight, nor did they paint their masterpieces in 2 hours. They studied and practiced, failed and tried again more times than anyone could count. What they did differently from most of us is that they kept trying and believed in themselves even when no one else did. Just remember how Dali barely had something to eat for years and no one seemed to like his paintings. Or look at the earliest works of some of the most talented artists, those paintings simply aren’t good, in some cases we can even say that they are terrible. However these artists were patient with themselves and kept studying until they became the very best of their time…

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Magdalen Titian painting

How to express emotion and character through portraits

Question from Jasmine

Dear tutors,

I am very interested in figurative art. There are works of Art that have a great deal of emotional impact, you can almost see the soul of the model(s). They make you wonder who they are or what their story is. And there are other works that just leave you cold, no matter how skillfully they are done.

What makes the difference? Is it merely in the facial expression or is there more? How should an artist convey emotions in his or her work without being too obvious?

What about narrative portraits? How many clues should you give the viewer about what is going on without killing the mystery?…

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