From David Gospodinovski:
Hello Vladimir, I would like to know one thing. Maybe I need to answer this question myself, but I can’t really. Ever since I was a kid, I have hated drawing. I have no idea how or why. I have always been fascinated by drawings of people or animals, so why don’t I actually like drawing? I know it will help me with my digital art, and I am very committed to that. I have always wanted to know how the characters from my favorite games and movies are created.
I have never drawn in my life, but now I really want to start. But there is a problem: how do I start? I have books and videos, but all I see in the books are completed drawings of people accompanied by a lot of text, while the videos are time-lapse. I walk away more frustrated than before.
How long are your videos about human drawing and anatomy? Do you have any plans to make more? For example, drawing the skeleton and muscles, different body types, an explanation of the differences between female and male bodies, human versus animal / creature anatomy?…
From David Gospodinovski:
I recently found your site while I was searching some online tutorials for drawing. I have never drawn in my life, but I am interested in 3D modeling. I want to become a character artist, meaning I want to create 3D models and creatures, like in Avatar, Avengers, Harry Potter, etc.
Many people have told me to learn drawing, because it will help me.
How will these videos help me to become decent at drawing? Are these videos in real time, without time-lapse?…
From David Vercueil
Hi Vladimir, Sorry to bother you. I only have one leg and find sitting and drawing on a tilted ( +/- 20 degrees) board more comfortable than standing. I am very happy holding the pencil as you have demonstrated as the first “position”. I do however find it extremely uncomfortable using the pencil in the “standing position”.
Is it necessary to practice using the pencil in a standing position?..
Question from Yuri Magalhaes, Drawing Academy student
I’ve acquired the course and already I have doubts about the hatching. When doing the hatching for creating the values, do we intentionally leave a bit of space between each stroke? Or can they be so close together that no space is left between them? I ask this because from the video it seems that the cross hatching leaves quite a bit of texture in the drawing. Is that intentional, or if I want as smooth a texture as possible, do I simply apply new layers until no white from the paper can be seen behind the hatching?…
Question from Dianne Bauer
I need to transport an unfinished work in oil that is still wet. How can this be accomplished with the least damage? …
Question from Collayne Mills
The new release tutorial on perspective is a great overview. I have been working on this skill. I made an Albertian perspective box, using a photo-frame with a wide flat wooden frame that can sit on my desk. I inserted a ten inch grid on a piece of acetate behind the glass. I looked through that, sighting with a vision marker and drawing on another matching grid with a piece of tracing paper overlay, marking off what I saw – slowly but surely. And I’m referring to some of my reference photos and attempting to put them into construction drawing….
Question from Sherri S.
When using the Golden Ratio, how do you decide how to place items within the rule? Its very confusing to me. I’d like to learn this method to create better compositions…
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